Alfred Stiglitz and Fear of Change
Tuesday, February 15, 2011 at 2:57PM |
The only thing constant in the world is change. This concept holds true throughout history and has only accelerated in our world of instant access to any information we want, including videos of dogs riding on skateboards. Again the holds true to our world, but sometimes it fails to work that way on an individual basis. Among photographers it is common to hear that the changes happening in our industry scare them. The fear of such a change becomes a catalyst of some sort of action. Some push back, some give up and others try to changes the way they do things. This this type of upheaval is not new. In the late 19th century through the efforts of people like George Eastman, photography became a safer and less cumbersome process. More and more people started to experiment with this exciting new way to make images. Among these was the aforemetioned Alfred Stieglitz, a man who would become one of the most influential men in the history of photography. Stieglitz embraced photography with a zeal unrivaled by his peers. He helped found the New York Camera Club and turn it's newsletter into the most widely known photography publication in the world. Stieglitz had a few defining events that influenced who he was, two of them being the photo-sesesionist movement that was going on in germany and his mentorship and friendship with Edward Steichen. Steichen, a painter turned photographer, and a great effect on Stieglitz. The work done by Steichen convinced Stieglitz that photography could ravel painting as a form of artistic expression. He started to change the work he was showing in Camera Notes, the publication put out by the New York Camera Club. He even displayed work that was not from members of the club. The club didn't not like the editorial direction that Stieglitz was pulling the club. They began to push bag and shortly there after Stieglitz resigned from the club sighting editorial conflict as the reason for leaving. Was this the end of Stieglitz's influence in the art world? No, he soon opened a gallery and started a publication, Camera Work, that quickly over shadowed Camera Notes. He continued permoting fellow photographers such and Steichen and Strand. But most importantly he saw outside of the photographic world and took a young artist under his wing by the name of Goergia O'Kiefe, who he latter married. How did one man have such a profound effect on the world of art? I don't have an answer to that question, but Stieglitz was a man who was not afraid to change and reinvent himself when the world change around him. He changed his photographic style three times through out his career. When he found inspiration, he followed it. I conjecture that he did not let things like fear and popular trends dictate how he created his work.
This man of photographic history should inspire us to not fear change but inspire us to find things that enhance your artistic and photographic vision. |















